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      "abstract": "Director of Photography (DoP) atau sinematografer merupakan orang yang\r\nbertanggung jawab atas penciptaan dari aspek visual dalam produksi film, meliputi\r\npengaturan kamera, komposisi gambar, serta tata pencahayaan untuk mendukung\r\ngaya penceritaan. Dalam karya ini, penulis berperan sebagai DoP yang mengatur\r\nseluruh elemen visual, termasuk pengambilan gambar, penentuan angle kamera,\r\nkomposisi, dan pencahayaan agar mampu menampilkan suasana dan makna sesuai\r\nkonsep film. Hasil dari karya ini menunjukkan bahwa peran DoP melalui penerapan\r\nsinematografi yang berpengaruh langsung terhadap proses visualisasi, mulai dari\r\npenentuan lokasi syuting di kawasan pesisir hingga pemilihan peralatan yang sesuai\r\nuntuk merepresentasikan aktivitas nelayan dan nilai budaya dalam tradisi Sedekah\r\nLaut. Melalui pengelolaan elemen visual tersebut, DoP secara aktif mengarahkan\r\npersepsi penonton terhadap kondisi risiko dan kerentanan nelayan, sehingga realitas\r\nyang ditampilkan tidak sekadar direkam, tetapi dikonstruksi secara sinematik agar\r\nmembentuk alur cerita yang utuh dan mudah dipahami. Melalui penerapan teknik\r\nvisual, film dokumenter ini berupaya menghadirkan realitas kehidupan nelayan, doa\r\nkeselamatan mereka, serta tantangan yang dihadapi akibat ketidakpastian cuaca dan\r\nminimnya perhatian terhadap keselamatan kerja nelayan.",
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      "keywords": "Director of Photography, teknik visual, Sedekah Laut, \r\nkeselamatan nelayan, visual technique, Sedekah Laut,\r\nfishermen’s safety..",
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