{ "thesis_type": "bachelor", "full_text_status": "restricted", "ispublished": "pub", "dir": "disk0\/00\/03\/27\/52", "datestamp": "2026-09-14 04:39:12", "corp_creators": [ "Universitas AMIKOM Yogyakarta" ], "date": "2026-01-20", "divisions": [ "ik" ], "contributors": [ { "name": { "given": "Zahrotus", "family": "Sa'idah", "honourific": null, "lineage": null } } ], "date_type": "published", "creators": [ { "nim": "21.96.2392", "name": { "lineage": null, "honourific": null, "family": "Juliadi", "given": "Ahmad" } } ], "eprint_status": "archive", "keywords": "Kekerasan pada Perempuan, Representasi, Semiotika Roland\r\nBarthes, Film, Violence against Women, Representation, Roland Barthes' Semiotics,\r\nFilm.", "thesis_name": "skripsi", "documents": [ { "uri": "http:\/\/eprints.amikom.ac.id\/id\/document\/326710", "eprintid": 32752, "rev_number": 2, "mime_type": "application\/pdf", "pos": 1, "main": "COVER.pdf", "placement": 1, "security": "public", "files": [ { "mime_type": 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"placement": 6, "security": "public", "files": [ { "uri": "http:\/\/eprints.amikom.ac.id\/id\/file\/1152636", "mime_type": "application\/pdf", "fileid": 1152636, "hash_type": "MD5", "mtime": "2026-09-14 04:34:04", "datasetid": "document", "objectid": 326715, "hash": "1f1c3b7827d097462baf892aca08a63e", "filename": "BAB V.pdf", "filesize": 121000 } ], "main": "BAB V.pdf", "pos": 6, "mime_type": "application\/pdf", "eprintid": 32752, "rev_number": 2, "uri": "http:\/\/eprints.amikom.ac.id\/id\/document\/326715" }, { "mime_type": "application\/pdf", "rev_number": 2, "eprintid": 32752, "uri": "http:\/\/eprints.amikom.ac.id\/id\/document\/326716", "main": "Daftar Pustaka.pdf", "pos": 7, "formatdesc": "DAFTAR PUSTAKA", "files": [ { "objectid": 326716, "hash": "68de3969ccb8a6d8c83e350ed15f9505", "filename": "Daftar Pustaka.pdf", "filesize": 317230, "mime_type": "application\/pdf", "hash_type": "MD5", "fileid": 1152638, "uri": "http:\/\/eprints.amikom.ac.id\/id\/file\/1152638", "datasetid": "document", "mtime": "2026-09-14 04:34:06" } ], "security": "validuser", "placement": 7, "content": "published", "format": "text", "language": "id", "docid": 326716 }, { "main": "Publikasi.pdf", "pos": 8, "uri": "http:\/\/eprints.amikom.ac.id\/id\/document\/326717", "mime_type": "application\/pdf", "eprintid": 32752, "rev_number": 2, "language": "id", "docid": 326717, "content": "published", "format": "text", "files": [ { "hash": "57146352ceef08e37143196e62cae166", "objectid": 326717, "filesize": 574393, "filename": "Publikasi.pdf", "uri": "http:\/\/eprints.amikom.ac.id\/id\/file\/1152640", "fileid": 1152640, "hash_type": "MD5", "mime_type": "application\/pdf", "mtime": "2026-09-14 04:34:12", "datasetid": "document" } ], "security": "staffonly", "placement": 8, "formatdesc": "PUBLIKASI" } ], "title": "PRESENTASI KEKERASAN PADA PEREMPUAN DALAM FILM\r\nWANITA AHLI NERAKA (2024)", "userid": 12, "abstract": "Kekerasan pada perempuan merupakan bentuk kekerasan berbasis gender\r\nyang masih kerap terjadi dan dinormalisasikan dalam kehidupan sosial, termasuk\r\nmelalui media film. Film Wanita Ahli Neraka (2024) menampilkan sebuah rumah\r\ntangga yang penuh dengan ketimpangan kuasa antara suami dan istri, dimana\r\nperempuan menjadi pihak yang rentan mengalami kekerasan. Penelitian ini\r\nbertujuan untuk mengetahui representasi kekerasan pada perempuan ditampilkan\r\ndalam film Wanita Ahli Neraka (2024) melalui pengalaman toko Farah sebagai\r\nistri. Penelitian ini menggunakan pendekatan kualitatif dengan metode analisis\r\nsemiotika Roland Barthes. Teknik pengumpulan data dilakukan melalui observasi\r\nnon-partisipan terhadap adegan-adegan film, studi literatur, dan dokumentasi.\r\nAnalisis data dilakukan dengan mengkaji makna denotasi, konotasi, dan mitos yang\r\nmuncul dalam adegan-adegan yang merepresentasikan kekerasan pada perempuan.\r\nPenelitian ini juga didukung oleh teori representasi Stuart Hall dengan pendekatan\r\nkonstruksionis untuk untuk memahami Bagaimana makna kekerasan dibangun\r\nmelalui bahasa dan simbol dalam konteks budaya patriarki. Hasil penelitian\r\nmenunjukkan bahwa film ini merepresentasikan kekerasan pada perempuan dalam\r\nbentuk kekerasan fisik, psikis serta simbol dan kultural yang dibenarkan melalui\r\nnilai kepatuhan istri dan dominasi suami. Dengan adanya mitos, film ini\r\nmereproduksi budaya patriarki yang menormalisasi kekerasan dalam rumah tangga\r\ndan menempatkan perempuan pada posisi yang subordinat.", "type": "thesis", "uri": "http:\/\/eprints.amikom.ac.id\/id\/eprint\/32752", "department": "Fakultas Ekonomi & Sosial", "rev_number": 14, "eprintid": 32752, "subjects": [ "300.300.302" ], "status_changed": "2026-09-14 04:39:12", "institution": "Universitas AMIKOM Yogyakarta", "metadata_visibility": "show", "lastmod": "2026-09-14 04:39:12" }