<mets:mets OBJID="eprint_32705" LABEL="Eprints Item" xsi:schemaLocation="http://www.loc.gov/METS/ http://www.loc.gov/standards/mets/mets.xsd http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd" xmlns:mets="http://www.loc.gov/METS/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><mets:metsHdr CREATEDATE="2026-09-15T12:14:35Z"><mets:agent ROLE="CUSTODIAN" TYPE="ORGANIZATION"><mets:name>EPrints Universitas Amikom Yogyakarta</mets:name></mets:agent></mets:metsHdr><mets:dmdSec ID="DMD_eprint_32705_mods"><mets:mdWrap MDTYPE="MODS"><mets:xmlData><mods:titleInfo><mods:title>{JALUR NON REGULER - MAGANG ARTIST} PEMBAHASAN COMPOSITING 3D SCENE "BREAK POINT" PADA&#13;
FILM "THE AFTERMATH"</mods:title></mods:titleInfo><mods:name type="personal"><mods:namePart type="given">Rieva Abidzar</mods:namePart><mods:namePart type="family">Salsabila</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:abstract>Penelitian ini membahas penerapan teknik compositing dalam pembuatan 3D scene&#13;
"Break Point" pada film "The Aftermath". Compositing merupakan proses&#13;
penggabungan berbagai elemen visual, baik berupa footage, objek tiga dimensi,&#13;
objek dua dimensi, maupun efek digital, ke dalam satu kesatuan gambar yang utuh&#13;
dan realistis. Teknik ini menjadi bagian penting dalam produksi visual efek,&#13;
khususnya pada adegan yang melibatkan unsur imajinatif dan tidak memungkinkan&#13;
untuk direalisasikan secara langsung. &#13;
Pada alur film ‘The Aftermath” menceritakan konflik yang berawal dari perebutan&#13;
area parkir yang kemudian berkembang menjadi pertarungan antara dua tokoh.&#13;
Intensitas konflik meningkat seiring penggunaan kekuatan masing-masing tokoh&#13;
hingga mencapai puncak ketika keduanya mengerahkan seluruh energi dalam satu&#13;
serangan besar. Benturan kedua kekuatan tersebut menghasilkan ledakan energi&#13;
yang menjadi klimaks sekaligus penentu akhir dari pertarungan. Kebutuhan&#13;
penggunaan teknik compositing 3D dalam scene ini didasarkan pada kompleksitas&#13;
visual dengan melibatkan efek kekuatan, pergerakan kamera yang dinamis, serta&#13;
penggunaan background digital atau cgi.  &#13;
Hasil penelitian menunjukkan bahwa penerapan teknik compositing secara tepat&#13;
mampu mendukung penyampaian narasi dan meningkatkan kualitas visual pada&#13;
scene "Break Point". Dengan demikian, compositing tidak hanya berfungsi sebagai&#13;
proses teknis, tetapi juga sebagai elemen penting dalam membangun visual pada&#13;
film "The Aftermath".</mods:abstract><mods:classification authority="lcc">696 Animasi</mods:classification><mods:originInfo><mods:dateIssued encoding="iso8061">2026-06-25</mods:dateIssued></mods:originInfo><mods:originInfo><mods:publisher>Universitas AMIKOM Yogyakarta;Fakultas Ilmu Komputer</mods:publisher></mods:originInfo><mods:genre>Thesis</mods:genre></mets:xmlData></mets:mdWrap></mets:dmdSec><mets:amdSec ID="TMD_eprint_32705"><mets:rightsMD ID="rights_eprint_32705_mods"><mets:mdWrap MDTYPE="MODS"><mets:xmlData><mods:useAndReproduction>
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