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      "keywords": "Domestifikasi Perempuan, Film Komedi, Semiotika Roland Barthes,\r\nMekanisme Humor, Stereotip Gender, Women's Domestication, Comedy Film, Roland Barthes Semiotics,\r\nHumor Mechanisms, Gender Stereotypes.",
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            "given": "Aurelius Feliz Ergi",
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      "rev_number": 16,
      "title": "MEKANISME HUMOR DALAM MEMBANGUN \r\nDOMESTIFIKASI PEREMPUAN DALAM FILM GJLS: IBUKU\r\nIBU-IBU (ANALISIS SEMIOTIKA ROLAND BARTHES)",
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      "abstract": "Dominasi genre komedi keluarga dalam industri perfilman Indonesia \r\nmenyimpan bahaya laten berupa trivialisasi isu gender, di mana ketimpangan\r\nkuasa domestik dikemas sebagai lelucon. Penelitian ini menyoroti bagaimana film\r\nGJLS: Ibuku Ibu-Ibu (2025) menggunakan mekanisme humor untuk\r\nmelanggengkan domestifikasi perempuan, sehingga mendesensitisasi masyarakat\r\nterhadap kekerasan simbolik dan stereotip gender. Untuk membedah fenomena\r\ntersebut, pendekatan kualitatif dengan metode analisis semiotika Roland Barthes\r\ndigunakan. Analisis bertingkat (denotasi, konotasi, mitos) dilakukan pada tujuh\r\nadegan kunci bermuatan interaksi humor domestik. Hasil penelitian\r\nmengungkapkan bahwa humor verbal, visual, dan situasional berfungsi sebagai\r\naparatus ideologis untuk menaturalisasi pembatasan peran perempuan. Mitos yang\r\nterbangun memosisikan subordinasi dan objektifikasi perempuan sebagai kodrat\r\nyang wajar ditertawakan, bukan dipersoalkan. Temuan ini mengonfirmasi\r\nterjadinya comedic trivialization, di mana tawa mematikan daya kritis penonton\r\nterhadap patriarki. Penelitian ini diharapkan meningkatkan literasi media kritis\r\nmasyarakat dan menjadi rujukan sineas dalam menciptakan komedi inklusif\r\nbersensitivitas gender.",
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