<mets:mets OBJID="eprint_31873" LABEL="Eprints Item" xsi:schemaLocation="http://www.loc.gov/METS/ http://www.loc.gov/standards/mets/mets.xsd http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-3.xsd" xmlns:mets="http://www.loc.gov/METS/" xmlns:mods="http://www.loc.gov/mods/v3" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance"><mets:metsHdr CREATEDATE="2026-07-05T22:22:38Z"><mets:agent ROLE="CUSTODIAN" TYPE="ORGANIZATION"><mets:name>EPrints Universitas Amikom Yogyakarta</mets:name></mets:agent></mets:metsHdr><mets:dmdSec ID="DMD_eprint_31873_mods"><mets:mdWrap MDTYPE="MODS"><mets:xmlData><mods:titleInfo><mods:title>PEMBAHASAN COMPOSITING VFX SCENE "CLASH SATU"&#13;
PADA FILM "BATTLE PARK"</mods:title></mods:titleInfo><mods:name type="personal"><mods:namePart type="given">Lutfiyana Widya</mods:namePart><mods:namePart type="family">Febriliyanti</mods:namePart><mods:role><mods:roleTerm type="text">author</mods:roleTerm></mods:role></mods:name><mods:abstract>Sejalan dengan akselerasi teknologi di industri perfilman, Visual Effects&#13;
(VFX) kini menjadi game changer yang krusial untuk menghasilkan adegan yang&#13;
imersif dan engaging. Riset ini berfokus pada analisis mendalam terkait&#13;
implementasi teknis compositing VFX pada scene "Clash Satu" dalam film&#13;
"Battle Park".&#13;
Compositing adalah fase kunci pascaproduksi yang bertugas menyatukan&#13;
berbagai layer elemen visual menjadi satu final shot yang kohesif. Pembahasan ini&#13;
spesifik mengupas tuntas teknik integrasi rekaman live action dengan aset digital&#13;
seperti efek partikel melalui tools profesional, misalnya After Effects.&#13;
Metode utama yang di breakdown meliputi keying (penghapusan latar&#13;
belakang), motion tracking (pelacakan pergerakan kamera), color grading&#13;
(penyesuaian tone visual), dan roto (masking presisi). Tujuan implementasi ini&#13;
adalah menciptakan integrasi yang seamless dan realistis, memastikan elemen&#13;
VFX berinteraksi otentik dengan pencahayaan dan lingkungan footage asli.&#13;
Dengan demikian, visi sutradara termasuk adegan perebutan tempat parkir yang&#13;
intense ini tereksekusi secara sinematik dan memberikan dampak visual yang&#13;
powerful kepada audiens.</mods:abstract><mods:classification authority="lcc">000 Ilmu komputer, informasi dan pekerjaan umum</mods:classification><mods:classification authority="lcc">741 Gambar dan seni menggambar</mods:classification><mods:originInfo><mods:dateIssued encoding="iso8061">2026-01-26</mods:dateIssued></mods:originInfo><mods:originInfo><mods:publisher>Universitas AMIKOM Yogyakarta;Fakultas Ilmu Komputer</mods:publisher></mods:originInfo><mods:genre>Thesis</mods:genre></mets:xmlData></mets:mdWrap></mets:dmdSec><mets:amdSec ID="TMD_eprint_31873"><mets:rightsMD ID="rights_eprint_31873_mods"><mets:mdWrap MDTYPE="MODS"><mets:xmlData><mods:useAndReproduction>
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